Audio Operator I, Studio Ops

2 Weeks ago • 2 Years + • Broadcast • Sound Engineer

Job Summary

Job Description

The Audio Operator I at ESPN will provide audio mixing (A1) and/or audio assist (A2) support for live events, studio productions, and pre-recorded material. A1 responsibilities include mixing and monitoring audio sources, while A2 involves configuring intercoms, dressing microphones/IFBs. The role demands proficiency in broadcast equipment, adherence to ESPN's audio standards, and effective communication within the production team. Responsibilities include overseeing operational and technical aspects of remote events, operating broadcast equipment, measuring audio signals for quality control, prioritizing information, troubleshooting, filing reports, and participating in training programs. The position requires a minimum of two years of experience in a similar role at a large market or network level.
Must have:
  • 2+ years experience in A1/A2 role
  • Proficient in broadcast equipment
  • Strong communication & problem-solving skills
  • Understanding of remote event workflows
  • Adherence to ESPN's audio standards
Good to have:
  • Knowledge of broadcast communications equipment
  • Exceptional customer service
  • Bilingual (English/Spanish)
  • Live event and mixing experience
  • Bachelor's degree in related field

Job Details

Job Summary:

Job Description

Job Summary: 

 The Audio Operator I will provide audio mixing (A1) and/or audio assist (A2) support for live event, studio productions and pre-recorded material for the ESPN family of networks and distribution platforms.  As an audio operator (A1), you must be proficient in mixing and monitoring all audio sources including but not limited to microphones, music, sound effects and natural sound.   

As an audio assist (A2), you must be experienced in the configuration of in-house intercom/PL communications and proficient in dressing talent microphones/IFBs. 

This person is expected to work with the production team in maintaining ESPN’s high standards of audio presentation for all delivered content.  This person must demonstrate proficiency in the use of all broadcast equipment and technology within assigned operating areas. 

Responsibilities 

  • Oversees all operational and technical aspects of assigned remote events.  

  • Operate all broadcast equipment and technology within assigned operating areas, including but not limited to audio mixing consoles, outboard equipment, audio & video routing, digital audio delivery servers, microphone & IFBs and their signal flows, mix minus, intercom devices & software, broadcast routers, etc.Measures audio signals to ensure quality control of ESPN endorsed standards on all operations using comprehensive knowledge of broadcast methods. 

  • Measure audio signals to ensure quality control of ESPN endorsed standards on all operations using comprehensive knowledge of broadcast methods 

  • Prioritize and disseminate complex information among the entire control room/studio/remote crews in a clear and concise manner to ensure seamless productions  

  • Participate in special event coverage and projects as necessary  

  • Problem solve and troubleshoot using effective communication to best convey issues and resolutions.  

  • File reports, as necessary, on specific working conditions and equipment status at the request of management   

  • Seek out information regarding the workflow of other business units, including their impact and/or specific integration with Production Operations/DMED, and utilizing that information to enhance processes and/or educate others.  

  • Participates in training programs, (physical, classroom, virtual, etc.) for self-career development and/or regarding any relevant equipment and workflow changes within the operation.   

 

Required Qualifications: 

 Minimum 2 years practical Content Production or related experience at the large market or network level in the A1 and/or A2 role   

  • Proficient knowledge of all TV Production equipment and technology within assigned operating areas, including but not limited to; audio signal flow concepts, dynamics processing, equalizers, metering concepts, audio & video routers, intercom systems, signal conversion equipment, communications panels - hardware & software, microphones/IFBs etc.  

  • Understanding of Remote Event Workflows and Terminology  

  • Demonstrated ability to perform tasks under tight deadlines combined with organizational, efficiency and planning skills and an ability to adapt to a constantly changing environment  

  • Problem solves and troubleshoots using technical acumen and strong communication tools to best convey issues and resolutions  

  • Experience seeking information regarding workflows of other business units, including their impact and/or specific integration with your role, and utilizing that information to enhance processes and/or educate others  

  • Candidates must have a strong computer background (Outlook, Word, Excel, PowerPoint, etc...)  

  • Flexibility to alter shifts/days off and work overtime to accommodate projects and departmental objectives including the ability to work nights and weekends.  

Preferred Qualifications: 

  •  Demonstrable Knowledge of Broadcast Communications Equipment 
  • Ability to provide exceptional customer service to our partners. 
  • Bilingual (written and spoken) – English/Spanish 

  • Regional – National Level Live Event and Mixing Experience 

Required Education: 

  • High School Diploma or equivalent required 

Preferred Education:

  • Bachelor’s Degree in Communications, Studio Production, or Related field preferred 

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